
Cosmo Wenman explores the legal and ethical implications of the Rodin Museum's recent stance on 3D scanning its collection. The article details a dispute regarding the museum's attempt to restrict the creation and distribution of high-fidelity 3D models of public domain sculptures. Wenman argues that the museum's actions represent a form of 'treachery' against the public interest, as they seek to exert control over digital representations of works that should be freely accessible. The piece highlights the tension between cultural institutions attempting to monetize digital assets and the principles of open access and digital preservation. By analyzing the museum's legal arguments and the broader impact on the 3D printing and digital archiving communities, Wenman critiques the gatekeeping of cultural heritage in the digital age, urging for a more transparent and accessible approach to public domain art.
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